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Help Call Tag/編集依頼タグ Help Call tag TAG added when help is needed on specific colum in title. タイトル頁の何らかの項目で助けが必要な時につけられるタグです。 HPF Hiragana title check wanted / タイトルのひらがなのチェック求む HPTR Romaji title check wanted / タイトルのローマ字チェック求む HPN Creators names check wanted / 作者の名前チェック求む HPV Original video url wanted / 動画URL求む HPL Japanese lyric url in Miku@Wiki wanted/ 歌詞ページ求む Editor Name/編集者名 You can also add your name when you edit. TAG can be used to find your edited titles so when you want to access your edited work fast. You can also make list at Joined Editors your space if you have your name TAG. 編集者名を記しておけば、タグ検索できるので編集したものに一気にアクセスできます。またタグをつけておくとJoined Editorsの持ちスペースで編集作品リストを作ることができます。 6 MUST tag/六つの必須タグ 1. Base tag/基本タグ Title All title page must have this tag/曲タイトルには必ず付けます 2. Creator Name tag in Romaji Alphabet/作者名情報(ローマ字・英字)タグ Be sure to add both MusicanName and LyricistName. When Musician and Lyricist name are same, just add one name. 作詞家、作曲家それぞれ二人の名前をローマ字(英語のものは英語で)記します。作詞・作曲を一人の人がやっている場合は一つになります。 3. Romaji Lyric State tag/ローマ字歌詞追加状況タグ Romaji Put this tag when title has romaji trasnlation NORoman Put this tag when title has no romaji trasnlation yet HPR Put this tag when you are not sure your romaji are perfect ローマ字歌詞をつけた場合はRomaji、ローマ字をない場合はNORoman、ローマ字をつけたもののチェックを必要とする場合はHPRにつけます。 4. First Letter tag/一文字目タグ For titles that start in Japanese/タイトルの一文字目が日本語の場合 Translate title into Hiragana and use the first hiragana as Tag. For example if title was 猫, Hiragana will be ねこ. So ね will be the Tag. If you are not sure about Hiragana add HPT(See HelpCallTag at beginning) instead, then other people will fix the tag for you.ひらがなにして、最初の文字を記します。タイトルが「犬」なら、ひらがなにすると「いぬ」なので「い」をタグに追加します。 For titles that start in Alphabit/タイトルの一文字目が英文字の場合は Use first letter and add Alp- at beginning. That ll be the tag. For example if title was Dog, first letter is D, so Alt-D will be the TAG. 最初の文字にAlp-を足したものを記します。タイトルがCatならAlp-Cになります。 For titles that start by other then above/その他の文字から始まるタイトルは No tag needed. 何も記しません。 See Romaji-Hiragana Mapping Hiragana - Romaji Mapping あ行 L-A あ a い i う u え e お o . . . か行 L-K か ka き ki く ku け ke こ ko きゃ kya きゅ kyu きょ kyo さ行 L-S さ sa し shi す su せ se そ so しゃ sha しゅ shu しょ sho た行 L-T た ta ち chi つ tsu て te と to ちゃ cha ちゅ chu ちょ cho な行 L-N な na に ni ぬ nu ね ne の no にゃ Nya にゅ nyu にょ nyo は行 L-H は ha ひ hi ふ fu へ he ほ ho ひゃ hya ひゅ hyu ひょ hyo ま行 L-M ま ma み mi む mu め me も mo みゃ mya みゅ myu みょ myo や行 L-Y や ya . ゆ yu . よ yo . . . ら行 L-R ら ra り ri る ru れ re ろ ro りゃ rya りゅ ryu りょ ryo わ行 L-W わ wa . ん n . を wo . . . が行 L-G が ga ぎ gi ぐ gu げ ge ご go ぎゃ gya ぎゅ gyu ぎょ gyo ざ行 L-Z ざ za じ ji ず zu ぜ ze ぞ zo じゃ ja じゅ ju じょ jo だ行 L-D だ da ぢ ji づ zu で de ど do . . . ば行 L-B ば ba び bi ぶ bu べ be ぼ bo びゃ bya びゅ byu びょ byo ぱ行 L-P ぱ pa ぴ pi ぷ pu ぺ pe ぽ po ぴゃ pya ぴゅ pyu ぴょ pyo _ 5. Major Division Tag/大分類タグ L-A Put this tag when first letter of kana trasnlated title s あいうえお L-K Put this tag when first letter of kana trasnlated title s かきくけこ L-S Put this tag when first letter of kana trasnlated title s さしすせそ L-T Put this tag when first letter of kana trasnlated title s たちつてと L-N Put this tag when first letter of kana trasnlated title s なにぬねの L-H Put this tag when first letter of kana trasnlated title s はひふへほ L-M Put this tag when first letter of kana trasnlated title s まみむめも L-Y Put this tag when first letter of kana trasnlated title s やゆよ L-R Put this tag when first letter of kana trasnlated title s らりるれろ L-W Put this tag when first letter of kana trasnlated title s わんを L-G Put this tag when first letter of kana trasnlated title s がぎぐげご L-Z Put this tag when first letter of kana trasnlated title s ざじずぜぞ L-D Put this tag when first letter of kana trasnlated title s だぢづでど L-B Put this tag when first letter of kana trasnlated title s ばびぶべぼ L-P Put this tag when first letter of kana trasnlated title s ぱぴぷぺぽ E-A Put this tag when first letter is ABCDEFGH E-I Put this tag when first letter is IJKLMNOP E-Q Put this tag when first letter is QRSTUVWXYZ OTHERS Put this tag when first letter is anything above 6. Vocal TAG/ボーカルタグ Please add first name of the vocal. ボーカルの名前を追加します。 Miku Rin Len Meiko Kaito Gakupo Luka UnOfficialVocaloid Put this tag when vocal is fan made vocaloid [Scroll to TOP] _
https://w.atwiki.jp/andev/pages/13.html
T-Mobile G1については Era G1については Android Dev Phone 1については 製造Manufacturer HTCHigh Tech Computer宏達国際電子 キャリアCarrier オーストラリアAustralia Optus フランスFrance Orange シンガポールSingapore SingTel スペインSpain Telefonica カナダCanada Rogers Wireless 端末タイプDevice Type スライド式スマートフォンSlider smartphone 開発コードネームProject Codename HTC Dream ソフトウェア OSOperating System 現行バージョンPresent Android 1.6 初期バージョンOriginally Android 1.5 ユーザインターフェイスUser Interface 標準 ハードウェア 本体サイズDimensions 幅Wide 55.7 mm (2.19 in) 高さHeight 117.7 mm(4.63 in) 深さDepth 17.1 mm (0.67 in) 質量Weight 158 g (5.6 oz) CPU チップセット MSM7201A 動作周波数Frequency 528 MHz 製造Manufacturer Qualcomm ファミリ ARM11 アーキテクチャ ARMv6 コア ARM1136J-S メモリMemory RAM 192 MB ROM 256 MB 外部ストレージExpandable Storage microSD 最大16 GBup to 16 GB ディスプレイDisplay 解像度Display Resolution 320 x 480 px 規格Code HVGA サイズSize 3.2 in (81 mm) 方式 TFT液晶TFT LCD 表示色数Color 約65,536 色 アスペクト比aspect ratio 16 09 ピクセル密度pixel per inch 180 ppi スピーカーSpeaker モノラルmono カメラCamera 画素数 3.2 mp オートフォーカスAuto Focus ○ LEDライト ○ 光学ズームOptical Zoom 1倍1x デジタルズームDigital Zoom - 入力デバイスInput Device キーボードKeyboard QWERTY Keyboard タッチスクリーンTouch screen 静電容量式(ハードウェアはマルチタッチに対応) トラックボールTrackball ○ 光学ジョイスティック - マイクMicrophone モノラルmono キー 電源 ○ ホーム ○ メニュー ○ 検索 ○ 戻る ○ エンター トラックボール兼用 通話開始 ○ 通話終了 電源キー兼用 音量大 ○ 音量小 ○ カメラ ○ GPS ○ Assisted GPS ○ センサー デジタルコンパスDigital Compass ○ 加速度センサー3-axis Accelerometer Sensor ○ 磁気センサー3-axis Magnetic field Sensor ○ 方位センサーOrientation Sensor ○ ジャイロセンサーGyroscope Sensor - 照度センサーLight Sensor - 圧力センサーPressure Sensor - 温度センサーTemperature Sensor ○ 近接センサーProximity Sensor - 外部接続端子 USB ExtUSB イヤオンジャック ExtUSB経由 放送受信機能 ワンセグ - FMラジオFM Radio - 電源 バッテリーbattery 種類Type リチウムイオン電池Rechargeable Lithium-ion battery 容量Capacity 1150 mAh 電圧 3.7 V 連続通話時間Talk time 3G 約350分 GSM 約406分 連続待受時間Standby time 3G 約402時間 GSM 約319時間 ACアダプターAC Adapter - ネットワーク 3G 規格 UMTS/W-CDMA HSPA ○ 回線速度 下り 最大7.2 Mbps 上り 最大2 Mbps 帯域 850 MHz - 900 MHz - 1700 MHz ○ 2100 MHz ○ 2G 規格 GSM 回線交換データ通信 CSD ○ パケットデータ通信 GPRS ○ EDGE ○ 帯域 850 MHz ○ 900 MHz ○ 1800 MHz ○ 1900 MHz ○ Wi-Fi IEEE 802.11 b ○ IEEE 802.11 g ○ IEEE 802.11 n - Bluetooth バージョンVersion 2.0 EDR ○ 電波強度 Class 2 対応プロファイル SPPシリアルポートプロファイル ○ HSPヘッドセットプロファイル ○ HFPハンズフリープロファイル ○ A2DPアドバンスドオーディオ配信プロファイル ○ AVRCPオーディオ/ビデオリモートコントロールプロファイル ○ FTP - OPPオブジェクトプッシュプロファイル - HIDヒューマイニンターフェイスデバイスプロファイル - 赤外線 -
https://w.atwiki.jp/ufc246fight/pages/10.html
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https://w.atwiki.jp/vs900com/pages/14.html
Tokyo for Free Imperial Palace East Garden This is a garden adjoining the Imperial Palace and a museum. The garden of 210,000m2 first opened to the public in 1968. Here you can enjoy cherry blossoms and azaleas in spring, various rose in early summer and camellias in winter. Tokyo Metropolitan Government (TMG) Built in 1991, has an observatory on the 48th floor (243m high) which commands a panoramic view of metropolitan Tokyo. A number of sculptures are exhibited outside around the buildings. Museum of Future Science and Technology You can learn about science and scientific experiments, and use the library and mini theatre. Sumo Museum It is the official museum of the Sumo association. It houses more than 20,000 historical and memorial items of Sumo Wrestling, such as paintings, books and photos etc. Meguro Parasite logical Museum This is the only museum in the world on parasites. It exhibits various specimens, studies and photos f parasites. Ebisu Beer Museum Once only the brand name of a beer in Japan, Ebisu is now used as the town name because there was a beer factory here in the Meiji period, the predecessor of Sapporo Beer Compnay, currently one of the most popular beer brands in the country. Here you can learn about the history and technology of making beer. It also features a tasting lounge (with small charge). Currency Museum The museum was opened in 1985 by bank of Japan. It contains about 4,000 representative currency items and exhibits the history of Japanese yen. NHK Broadcast Museum This museum is owned by Japan Broadcast Corporation, featuring high-definition broadcast systems, earlier broadcast equipment, and experience studio, video showing room for older TV programs and a library. Amlux This is the showcase by Toyota Motor Corporation, featuring all range of vehicles as well as mini-theatre, products shop, test driving and technology exhibitions. Honda Welcome Plaza This is the showroom of Honda Corporation. Asimo, the world’s first bipedal humanoid robot, developed by Honda, will welcome you as a guide. You can enjoy exhbitions of new car models. Also featuring a mini-theatre and a product shop. TEPCO Electric Energy Museum You can learn about various ways of electricity is generated, the mechanism of electricity in daily lige through games, videos, interactive exhbitions and experiments etc. Sony building / Sony Style Exhibits new products, offering free-lending and trial, as well as free battery charging for Sony products. Panasonic Center It offers the game trial corner and broadband café lounge, as well as company’s new products. Back to Japan
https://w.atwiki.jp/ameba_pigg/pages/2170.html
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https://w.atwiki.jp/gtavi_gta6/pages/1978.html
Vinewood Plaza 概要 解説 概要 日本語：バインウッドプラザ 業種：商業施設 所在地：バインウッド - ダウンタウンバインウッド - スパニッシュアベニューとパワーストリートの交差点。 解説 ダウンタウンバインウッドにある小さな商業施設。 アミュネーションがあるので利用するプレイヤーは多いはず。 駐車場は11台。 元ネタはロサンゼルスにあるサンセットプラザ。だが、ロゴはスペインの家電メーカーファーゴをモチーフにしている。 施設一覧 24/7 アミュネーション2号店 バイト！ バインウッドプラザ店 ピザディス バインウッドプラザ店 コインランドリー 薬局
https://w.atwiki.jp/gtav/pages/1978.html
Vinewood Plaza 概要 解説 概要 日本語：バインウッドプラザ 業種：商業施設 所在地：バインウッド - ダウンタウンバインウッド - スパニッシュアベニューとパワーストリートの交差点。 解説 ダウンタウンバインウッドにある小さな商業施設。 アミュネーションがあるので利用するプレイヤーは多いはず。 駐車場は11台。 元ネタはロサンゼルスにあるサンセットプラザ。だが、ロゴはスペインの家電メーカーファーゴをモチーフにしている。 施設一覧 24/7 アミュネーション2号店 バイト！ バインウッドプラザ店 ピザディス バインウッドプラザ店 コインランドリー 薬局
https://w.atwiki.jp/tljtrans/pages/216.html
It s a sort of urban water cooler legend. "Whatever happened to Alvin Peats?" No one knows, but there are lots of theories. Some say they ve heard he s being kept alive by machines, and that he still controls WATIcorp. It s the kind of thing you have a good laugh at. He wasn t just hooked up to a machine, Damien. He looked like he was a machine. At least, partly so. I ll have to be careful, though, especially since the worm s still working its way into the core. I can t do anything to draw attention to myself. When is it going to start transmitting data back to you? In a day or two. Hopefully. Things are on high alert right now, and every bit of data going in and out of the core is being analysed. (Yawns) You must be tired. I m keeping you up. I m sorry, I m just... Hey, no, no need to find a hotel. You can stay here. I mean, if you re comfortable with that. I can sleep on the floor. You really don t have to― I know. But you ve been through a lot, and you re helping me out, so the least I can do is let you sleep in my bed. (Laughs) Thanks, Damien. If you re okay with me staying here, I will. Okay, so... Let me get the bed ready for you. That s okay, I can― Um. Yeah. Just... I guess you can give me a hand. Okay. Yes. Great. By the way, if I m gone when you wake up tomorrow, don t be alarmed. I have to be at the office quite early. That s okay. I ll be fine. I ll just stay here. Good. Let me find you a sheet and cover. Damien s Apartment Night Use Examine the guardian Crow is the most loyal friend I ve ever had. Examine crow in guardians realm Examine flower Backyard The Fringe War Garden Wati Museum Wati Dreamcore Inner Wati Dreamcore Wati Arboretum Temple Square Guardians Realm Russia Outside Inside Factory That door leads to the other half of the monastery. Look at It s closed. That s the door to the room with the glass walls. It s a card reader. That opens up to the loading bay. It s a heavy duty hook, connected to a winch, which is again connected to the boom. That s the main entrance. Oh my God, what did I unleash? That s the freakiest thing I ve ever seen. It s been ten years since I ve walked through one of those. I need to speak with the Guardian before going back to Arcadia. Swamp City Town That s one huge dead animal. The Captain got the ship out of Marcuria just in time. Another few hours, and they would have arrested everyone, I m sure of it. I m so glad to see that Na ane is safe...though I wonder how she managed to escape the Azadi. Examine before Na ane told me to meet the messenger on the pier. Examine after Kara is the closest thing this town has to a mayor. She was elected to head the council last spring. I think the supplies will improve everyone s morale. Life s been tough this winter, but now there s food for everyone, and medicine for the sick. The supplies are being distributed around town. We don t want to keep it all in one place, in case of...trouble. What s that? Seeing it The witch is here, as promised. She will bring me the Scorpion, and then my mission will be...completed. Examine before talk I need to speak with her, so that she can tell me where to find the Scorpion. Examine again What is that? Spotting the arrow Rebels. But I m not here for them. I m here for the Scorpion. The supplies made it here. Good. I had no wish for their women and children to starve or to fall ill. Faith or no faith - innocent lives are precious. April! MISSING TEXT I m here. I have kept my part of the bargain. Now it s your turn. I have done what you asked of me, Azadi. Your Scorpion waits on that pier. Alone. Leave. If I ever see you again, my sword will kiss your throat. For what I have done, I am already dead. Who are... You. I remember you. From Marcuria. But you re... You re the Azadi. What are you doing here? Have you been― Shit. You followed me here. I swear by my sword, I did not follow you. I came here by...other means. I wish you no harm, mistress. You spoke to me with honesty back in the city, and I respect that. So what the hell are you doing here? If you brought soldiers with you... There are civilians here, women...and children. I did not bring any soldiers. I am alone. Please. Let me explain. I m an Apostle. We are...missionaries. We bring the Word of the Goddess to unbelievers. But we do so with cold steel and swift death instead of sermons and prayers. We are the last resort. And we are feared. I have never before doubted the righteousness of my mission. The Goddess is the one true deity, and we must bring her light to the darkest places. And yet... I have seen and heard many things in my brief time here in the Northlands. I have seen with my own eyes how ignorance and fear are leading some of my people astray, how arrogance and distrust threaten to corrupt our mission. I have witnessed deeds – deeds of which you spoke so passionately when we first met - that have lifted a veil from my eyes. Does the Goddess, in her infinite and unquestionable wisdom, truly want us to commit these deeds on sovereign peoples, in these sovereign lands? Bravo. That s a very convincing speech, Apostle . You almost had me going there for a moment. I am an assassin, and my mission is plain and undisputable. Only... I believe now that the Goddess has led me here for another reason. Led me to you. Why else would She have brought us together, first in Marcuria, and now here, if it wasn t to show me – show us – a different path? Sorry. I don t believe in destiny or divine intervention. Not anymore. I believe that some things are meant to happen. Call it destiny. Call it the will of the Goddess. Call it chance. But do not call it coincidence. So, what now? You expect me to just let you walk out of here, to accept that you ve seen the light ? No. Yes. I...don t know what to think anymore. I only wish to speak with you for a little while longer. To understand. To open my heart to a different truth. I believe the Goddess wishes to speak to me. To me, and not to those who would interpret her Word to suit their needs. And what s your goddess telling you? That my path, a path I have never even considered questioning until this moment, may be one that leads into shadows, and not into light. Look... If you came here to find enlightenment, Azadi, you ve come to the wrong person. The name is Kian, mistress. I cannot claim that I came here to find enlightenment. Quite the opposite. Yet now I m starting to see that a great injustice may have been done to the peoples of the Northlands. You re planning on turning against your own? I will never take up arms against those I have sworn to protect, but I intend to return to Sadir and inform the Six - our Empresses – about what goes on in the provinces. Why? Because it is not right, it is certainly not the will of the Goddess, and it is a betrayal of everything I ve been taught to believe in. I still don t understand...Kian. Faith, mistress. I feared I was losing it, but I was wrong. My faith is as strong as ever. I... I guess I owe you a name. I m April. April. I am pleased to make your acquaintance. You shouldn t stay. If anyone sees you... You will not tell them? I don t have an easy time trusting anyone, Aza― Kian. But I m beginning to believe that you re the real thing, an honourable man. I try to be. But I still don t understand why you re here. And I don t understand why Na ane told me that you re― I knew you were weak, Apostle, but I never imagined you would go so far as to betray your own people. Vamon? What in the name of the Goddess are you doing? Your job, Alvane. Destroying the enemy. Or did you forget that was why you were sent here? There are women and children in this city, Vamon. Civilians! They re all equal in the eyes of the Goddess, are they not? Terrorists, wives of terrorists, children of terrorists... Sinners. Every one of them. As for this one... Is this who you were sent to kill? To...kill? No. I was about to tell you. I did not know who you were. I came to find the Scorpion, and I found you in his place. Scorpion... That s― That s the name your people gave me. After I put the fear of the Balance into them. You re...him? Your mouth is filled with venom, witch, even to the last. You are truly beneath us. And you, Alvane... Arrest him. Lower your weapon, soldier. I m an Apostle. No more, Kian Alvane. You have betrayed the Six, you have strayed from the Path, and you have forsaken the Mission. You have become soft like a spoiled fruit. You actually empathise with these heathens and murderers. You, Apostle, have committed a mortal sin. You have lost your Faith. No, Vamon. It is not I who have strayed from the Path. It is not I who have lost my Faith. What are we doing to these people? Why are we trespassing on their land? This is not the will of the Goddess. So now you question your Empresses, too? Your hole grows deeper by the second, Apos― Alvane. Still, the Goddess is merciful, and so am I. I ll give you one more chance to prove your loyalty and save yourself from eternal damnation. Do what you came here to do. Kill this murderous witch. Kill the Scorpion. Just get it over with. I came here to face the Scorpion, but I didn t know who the Scorpion was. I could never harm you. No I have no right to end her life, she was only protecting her people How do you know that this woman is the Scorpion? Are you feeble? Or just deaf? She confessed to us. I am the Scorpion. Do you honestly think I fear death? I ve faced it countless times, and I ve never blinked. You should fear death, witch. The Goddess does not smile on murderers and heretics. What stays your blade, Alvane? Whomever she is, whatever she s done, she does not deserve death. I cannot kill her. Stall I need to stall them Spare her life, Vamon. Please. She has only killed to protect her land and her people. She has murdered trueborn, Alvane. Her hands reek of their blood. How can you proclaim her innocence when she admits her own guilt so readily? At least let her stand trial. Let her speak. Let her explain her actions to the Council. Maybe then― I m not going to stand in front of your judges and plead for my life. I d rather die here. Plead Her life must be spared If I do not kill you, he will. And that makes it all right? I guess the true measure of a man is what he does when a knife is put to his throat. And you, my friend... You failed. Don t say that. I have no wish to kill you, but my Mission― Your mission ? You ve been blinded by faith, Kian. You can t see wrong from right. I feel sorry for you. I... I can t. I cannot kill you. You do not deserve to die. Yes She has murdered many of my people, and she deserves to die Very well. You ve made your choice. Kill her. No! Please don t tell me you felt for that Goddessless butcher. What you re doing here is wrong! What, protecting our people from terrorists? Destroying the enemy s stronghold? Tell me, Kian, what exactly am I doing wrong? These people are only defending their homes and lands from invaders. We re in the wrong here, not them. You ve fallen far deeper than I thought possible, Alvane. It will be entertaining to see you stand trial. It will not happen. When the Emissary― The Emissary was the one who ordered you arrested, Alvane, after you let the innkeeper and that smuggler vessel go. It was clear to the Mistress that your loyalties were no longer with the Empire. Although, ironically enough, you were the one who led us here. I am sure that will count in your favour at the trial. Maybe they ll even let your body lie in a marked grave. Take him away. I ll make you pay for this, Vamon. I swear by the Goddess, I will not rest until your beating heart is in my hand. Such unpleasantness... Kill them all. Burn the city down. Leave no prisoners. Na ane? April-an. It brightens my heart and spirit to see you here, safe and in good health. We heard that you had escaped Marcuria, but I was worried nonetheless. And now the stars have brought you back to us. How did you get out of Marcuria? I heard they shut all the gates and posted guards at all exits. As a stowaway on a tradeship bound for Corasan, and on a leapfur s back north along the old paths. A Zhid was generous enough to share her mount with me. I m glad you re safe. Good thing Brynn and Chawan had just left with the supplies. They were the lucky ones. The stars shine on all of us, April-an. What about our friends at the Journeyman? What about Benrime? I m sure they don t feel so lucky right now. Fortune often has a dark side. But there may still be a chance to aid the innkeeper. What? How? I have just been told that someone arrives from Marcuria with word of Benrime. He wishes to speak with you. Who? A stranger...a friend. A messenger. He wishes to meet with you on the west pier. He will speak with you, and no one else. And you re sure this man is a friend? How did he find us? Would I lie to you, April-an? I m sorry, Na ane. Of course not. I trust you. I ll go right away. Listen, if it turns out this man has important information, and I have to go back to rescue― I would not let you walk alone, April-an. Go now. He arrives soon. You must go to the west pier. The messenger will meet you there shortly. We ll need to make another run south before the ice breaks, though I m guessing Marcuria is out of the question. We lost some good people. We got careless. Bah! We were as careful as we could be. We just got unlucky. It was bound to happen sooner or later. Let s just hope we got enough intelligence out of it to justify the losses. I wish I could say that s the case. The fact is, they re getting too strong for us. They tore us apart down there, easy as― Ah, quit your whining, woman! The Raven I know is tougher than that! There s enough doom and gloom in this place already. Which is why I m going back. To Marcuria? Are you sure that s wise? We stay here, we go there - it s all the same. They re coming, and they won t stop, not until we strike at their heart. Marcuria. The tower. Ha! The tower! It ll take more than you and your band of merry rebels to topple that one, Raven! And even if you do, you think that ll stop them? No, we need to stay strong, build our allegiances, recruit more people, and keep the enemy from our doorstep. Time and patience will decide the victor. We don t have time. Look at what happened in Marcuria! We have to act now. We have to take the war to them. I m inclined to agree, Raven, but we re not strong enough. Not yet. If you stay here, we can train more people, build our strength, and― And talk about how, some day, we ll crush the enemy and take back our lands and our cities. That s what we do best. Talk. They murdered my friends, they arrested our most trusted ally in Marcuria, and they re probably moving north even now. And you say we should wait? I m done waiting. Bah! The Azadi don t have a clue where we are. Trust me, Raven, we re safe here. Besides, no one but me and my boys can navigate the rivers and swamps between us and the Bay of Fire. Even if the Azadi should learn of our whereabouts, the scouts will give us two days warning. We ll sink their boats before they even know what hit em! Even so, I can t just sit here and wait. I have to do something. I swear, Raven, you ll get yourself killed one of these days. Huh. Sometimes I wonder if that s not what you want. But if it s south you want to go, if you want to take your war to the Azadi, then fine, you ll have my boat. I ll take you where you want to go. Now, you ll have to excuse me. We still have to unload the grain and move all the supplies into storage. I ll come by later and give you a hand. I just have a few people I need to speak with first. Enemy soldiers! You will be with your Goddess soon enough! I ll take a hundred of you to the grave with me! Kara. A moment, April. Please make sure the herbs are distributed to the lieutenants. They are each responsible for their group getting the medicine they need. April. Thank the Balance you escaped Marcuria, and that Brynn and Chawan made it here with the supplies. Your efforts are much appreciated. Kara, about Benrime. We need to do― She put her life on the line for us. We won t forget that anytime soon. We ll sing her song at the tables tonight. The Azadi will be keeping her alive until they can ship her west. They like to have a show trial before executing their prisoners. If I can take a dozen people with me south, I can― You intend to take on the entire Azadi army by yourself? No, April. This war will have its victims, and you ll have to learn to live with that. You may have a death wish, but not everyone shares your lack of faith in the future. In time, we shall prevail. I ve dedicated my life to fighting the Azadi, Kara. What makes you say that I have no faith? You ve already given up your life. You don t fight because you want to destroy them. You fight to destroy yourself and your demons. Granted, your ferocity and guidance have strengthened us. The enemy fear and curse your name, and you ve made them tread more cautiously in the north... But both you and I know you re not doing this for any greater cause. You re doing this because it s the only thing you have left. And I can t have you taking our people with you on a suicide mission. So we let Benrime rot in prison, is that it? We let them take her to their country, where she ll die because she helped us? Yes. We do. Benrime wasn t― isn t stupid. She knew the risks, she knew it was a dangerous game to play, and she played it as safe as she could. Unlike you. I don t accept that. I can t leave her to die. Accept it or not, you re not taking anyone south. We have enough trouble protecting our homes and our supplies. We can t afford another setback. They re not your people. They make their own decisions. That they do. And you may find that, for once, you re on your own. Now, if you ll excuse me, I have other matters to attend to. I ll see you at dinner tonight, April. And thank you again for bringing us the supplies. Without them, we wouldn t have lasted through the winter. There s no point. She won t understand. I would just be wasting my time. Azadi! There are too many of them! Run! Where did they come from? Under attack I know they re running short of warm clothes in Snapjaw s Cove, Jiran. We need to send a boat over there with coats, shoes, and blankets. And in Bunnvik, they are fighting a fierce fever. We need to get them some medicines, and soon. It s not safe for them to travel to Corasan any longer. There are more and more Azadi in that city. It s only a question of time before the council announces their allegiance to the Empire. We ve all lost our homes and our lands, but thanks to you, Raven, there s still hope that we will see them again some day. The Azadi will never find us here...will they? I don t want to run again. I m tired of running. How s Marcuria doing? I wonder if I ll ever be able to freely walk her streets again... Who are you? I haven t seen you before. So many newcomers... Will the Azadi ever stop moving eastward? You must be one of the Southlanders from Ge en. Have the enemy taken over your lands as well? We need more of you to come here. That s a great outfit. Where did you get it? The enemy s attacking! It s the Azadi army! They re here! The enemy s here! My entire family was taken from me by the Azadi. For every loved one, I will slay a hundred of them. A thousand! Thank the Balance you all made it home, Raven. We ve seen this war claim too many lives already. I never wanted this, but the enemy left us with no choice but to take up arms against them. To April I haven t seen you around the campfire, handsome. Are you from the eastern fringes of the swamp? I think I would have noticed you. I don t talk to strangers. You never know who to trust. Did you hear about Raven and her team? They brought the supplies with them from Marcuria. There s going to be a feast tonight! To Kian The enemy! How did they find us? The Azadi are here! Azadi Don t let anyone escape! Round them up and kill them, every one of them! Leave no one alive...not even the women or children! They are all heathens in the eyes of the Goddess! There are more over here! Break down this door, soldier! Swiftly! Over here, boys! Hurry! For the Goddess! Victory! Your war is at an end, rebel scum! Stand down! Battle cries Yes, sir. Don t move. Stand down. As you please. Comments MISSINGCINEMATIC ZOÊ spots flaming arrow MISSINGCINEMATIC Zoë spots april on pier MISSINGCINEMATIC Aprils swamp city reveal MISSINGCINEMATIC April watches flaming arrow MISSINGCINEMATIC Kians swamp city reveal MISSINGCINEMATIC Kian spots flaming arrow MISSINGCINEMATIC Vamon arrives! MISSINGCINEMATIC April Dies. OH NOEHS! LOL MISSINGCINEMATIC Zoë rescued by chawan and brynn. PLACEHOLDER Chawan and Brynn sweep Zoë out of harm s way. I apologise for the mess. We had some...trouble with one of the exhibits. It went berserk. Don t worry, almost no one was seriously hurt. To learn more about the exhibits, just touch the icons. Examine Rebel Leader Talk to rebel leader Talk to obasaan Mom and Dad wil never let Hiro watch any monster movies ever again. Hiro is so dead. Talk to riko in museum Climb up ladder Attempt open filing cabinet door Look at Car interface Hack Car TIB_Tibet Exterior Swamp City Look at ribcage Look at boat house Look at boat Look at Pier Look at Town Look at supplies MISSINGTEXT Looks like some old computer with a cube interface. No, I can t leave until I find out what went on down here. This is the end of the road...and I m not giving up. Once The city s been added to many times over the years. Every time I return, there s another new addition. There are five separate sections of the city, and you can only get from one to the other via boat. That makes it hard for an enemy to mount a coordinated attack. Even here, people keep their doors closed and bolted. The Azadi have taught us to fear and distrust each other. Examine one Boats are very important here. You cannot reach another section of the city without one. That s the west pier, where the messenger is supposed to meet me. They re beautiful. I like watching starflies. They calm me down. It s hard to believe that anyone would build a city like this. It s a long way from the white walls and gleaming towers of Sadir. This city is larger than I would have guessed. There must be thousands of people living here. Old, young...children. These doors do not look very secure...but in a remote place like this, they don t have to be. Boats must be important to get around this city. Only parts of it are covered by the bridges and walkways. Glowing insects... What a strange place this is. STop and go! Examine door Open door Rebel Talk to Ena Examine window Look at hologram Look at Male scientist Look at commando Look at door from arboretum Look at Container Climb ladder yo SUBJECT re help FROM Liv Dreamcore_worm The monster 2 Pants and Mobile Package It s a small pebble. Picking up item Dropping item. test I don t have the item in my inventory. Smooth and well balanced. Perfect for throwing. Chapter is between 10 and 12. The chapter is not in range 10 to 12 Hi, I m Zoe. first I m Zoe too, but I have sexy clothes. How old are you? Age I m 18. What are your sexual orientation? Sexual orientation I will not answer that question, thank you. Why won t you tell me about your sexual attitude. Secret I don t have the item. Ok, thats it! This conversation is over! Reza Climb Hands behind your head! That s him, the man I ve been following. new Keyword Castillo home Localized name of character I promised Liv I d stop by her shop after the gym. She wants to show me something . It s not that she tries to be cryptic - she just can t help it. Whatever she wants to show me, I m sure it ll be interesting. Liv rarely disappoints. I should stop by the shop. Liv wanted to show me something . It s not that she tries to be cryptic - she just can t help it. Whatever she wants to show me, I m sure it ll be interesting. Liv rarely disappoints. I ran by Liv without saying hello! What was I thinking? That was rude. I ll have to go back to the shop later to make it up to her - but I ll wait until after the gym. Chances are she s already forgotten all about it, anyways. She s not exactly the resentful type. What s happened to Reza? Where is he? No one knows where he is - not even Martin. I can t get a hold of him, and the EYE s looking for him. I have to help him somehow. I have to find him. Reza left a message for me with Wonkers, something about a hidden safe in his apartment. Lucia, Reza s Watilla, can open it for me if I tell her the correct codeword. Whatever s in that safe, maybe it ll lead me to him...or at least point me in the right direction. Olivia gave me a hack that can be used to disable locks. I ll need that to get into Reza s apartment. Shit. They ve placed a surveillance spider in Reza s place. I ll need to find a way to disable that to get into his safe. Also, the spider fried Lucia. Hopefully, I ll be able to fix her. I took a close look at the spider. It has a logo that looks like a lion s head. I ve seen that before on other robots, but I can t remember which company it belongs to. Liv might be able to make use of that information. Good job, Zoë! You re well on your way to becoming a secret agent. Okay, so now I need to find a way to fix Lucia before she can open the safe for me. Lucia s battery and processing unit have been completely fried by the spider. I must find replacements for both of them. I got a new Watilla battery from Liv. Now I just need a functioning processing unit. Where can I find a working Watilla? I borrowed Wonkers processing unit. Poor guy, I feel terrible. All I need now is a working battery I have both the battery and the brain. I ought to be able to get Lucia back on her feet again now. Fingers crossed. Lucia s awake. I ll just need to tell her the codeword, and she ll open Reza s secret safe...I hope. That was close. I have become a magnet for trouble...or, more accurately, Reza s gotten himself involved in something really bad, and I just happen to be in the wrong places at the wrong times. These past two days have had enough close shaves to last me a lifetime...and if it keeps going like this, it ll be a very short lifetime Is it just me, or did that cat look a little creepy? There was something odd about its eyes... They looked a bit glassy. Reza was going to Newport in North America - to a place called Venice - to meet someone called Charlie at The Fringe...whatever and wherever that may be. If that s where he s headed, I m going after him. He definitely needs my help I m here. Newport. Venice. Now to find The Fringe and this Charlie person. Maybe one of the locals could point me in the right direction? That Chinese guy told me where to find The Fringe. What was it again... The other side of the Crossroads, and through Via Milano to Florence Square? Reza s okay, thank God. It appears that he was planning to break into a place called the Victory Hotel. That was last night...but it s the only clue I have to go on. I have to follow him. He could still be there. That girl again! This is not viral marketing, that s for sure. She s talking to ME. I don t know who s doing it, or how, but someone s definitely trying to tell me something Marcus promised to meet me later tonight at the The Fringe. I guess I ll just go there and wait for him. I need to speak with Charlie, too. The only thing in that wardrobe was the picture of him and the two girls. I don t see how that has anything to do with Reza or the scary girl on the screen, but it s all I have to go on. I should try and call Reza again. Charlie said I could use one of the VIP rooms upstairs. There must be a way to get to the top of that waterwheel. Looks like that s the only way out of here. Dream or no dream - drug-induced or not - I have to deal with the reality of this place, and that means doing what this innkeeper is telling me to do. She seems friendly enough The innkeeper can t make any mulled wine until she gets her delivery of spices, so I ll need to go to the South Gate Market to pick them up for her More running around! The spice merchant hasn t received his delivery of spices this morning, so I agreed to pick it up for him I got the spices. Now I ll just have to run back - again! - to the spice merchant to give him the spices and get the innkeeper s delivery.. I have the innkeeper s delivery of Mrs Mullins Mixed Spices. Time to get back to the inn to get that mulled wine for Blind Bob. I should get the mulled wine to Blind Bob. I found Crazy Clara, but she s not being very communicative. She misses her baby - a pet of some kind - which, as far as I can tell, was taken by the soldiers and put in a cage Clara seems very happy to have her baby back, and now I know where to find Minstrum Magda. She s the soup lady down in the marketplace - the one I ve passed by several times already, go figure. Time to go talk to her. That boy really wants me to follow him. If he can get me in touch with April, I don t think I have a choice Was it all just a dream, or did I really go to this Arcadia place? Who knows, and it doesn t matter. My priority is findin Wati City, Japan. God, it s freezing Reza s contact is a Damien Cavanaugh, and he works right here at WATI HQ. Liv said he s most likely at work today. All I need to do is find a way into the heavily fortified headquarters of one of the world s largest corporations, search through their offices - which are no doubt guarded by aggressive bots - and convince this Damien guy to talk to me All right, this is it, I ve completed the transition from bored college drop-out to secret agent. My mission? To infiltrate a high security lab, insert a worm into an organic computer, and get out undetected Okay, that s one thing crossed off the list. Now I need to find a capsule to put this worm into. Damien said to look in th Next, I need to scan both the worm and myself. The scanners are in the medlab. Now I have to find the key to get into the Dreamcore. Damien told me there would be a datakey in the security office somewhere, and he d make sure the guard would be away from his post. There s heavy security in the security office - that didn t come as a big surprise - so now I have to shut down the grid. The only way to do that is from inside the security office, using a spider The security office should be accessible now. I ll need to find the datakey to unlock the door to the Dreamcore. This is it. Time to enter the core room itself and insert the worm into the Dreamcore. I ll need to keep an eye out for people. If they see me, they ll trigger the security routines. The alarm s gone off! I hope it wasn t me. I need to find a way out of here - but I won t be able to get out the same way I got in. The elevator s probably my best bet at this point. Why did the girl send me up here? There must be something she wants me to do... Back in this strange place again... This definitely feels like a dream. I m not cold at all, and everything s sort of...warped I m in prison Yay! April has found me, and she s sent her friend Crow to help me. Crow s a talking bird. (Yeah, I m starting to get used to the weirdness of this place. Too used to it. Crow s delivered the goods. I should be able to melt that lock with the acid potion, and knock the guard out with the smoke bomb. I ll just have to get close enough to hit my target, but not so close that he notices me. So, Zoë, stay low and aim well. The guard s out of commission and the coast is clear. Now I ll have to find a way out of this horrible place. There s no way past the guard on the floor below, but he s waiting for a sandwich to be delivered. I don t know if that information will be helpful to April, but it can t hurt. If nothing else, I guess it could get her into the building. That s a start. Day two aboard the airship, and I think I m starting to smell. Other than that, it s going well. Westhouse and Crow are good company, and the hammock is reasonably comfortable This city is completely amazing. Nothing I ve ever seen can compare with it. I wish I had a camera.. Where am I? I thought the White Dragon would send me back to my world, but this definitely isn t it. So what am I doing here? The virus originated from below my current position. There must be a basement of some kind. I need to find a way down there. Home again The EYE has sealed off Reza s apartment. I ll probably need Liv s help to get through the lock. She s the master of breaking into stuff. Liv gave me a hack to use on the spider. If I m successful with that, the spider will be permanently disabled. Liv told me that I ll need to stay quiet around the spider, or it ll wake from its sleep mode. If that happens, I ll have to stay completely still. It reacts to sound and movement, but it s otherwise quite stupid. To disable it, I ll need to find a way to expose it to running water. I have to get Reza s notebook to Liv. Okay, now I m running REALLY late for the gym! I shouldn t waste any more time. Jama will give me hell...in that quietly menacing way of hers. That thing with the screens... Am I the only one who s seen it? And what s with that girl? If it s viral marketing, it s not very effective, just...freaky SUBJECT An updat FROM Dad SUBJECT Keeping appointment FROM Jama Mbaye SUBJECT ?? FROM Carlita SUBJECT Hello FROM Unknown contact [Karen Jensen] SUBJECT Getting in touc FROM Katrina SUBJECT Don t believe he FROM David A. The intrusion into Dreamcore originated from inside that abandoned factory building. So whatever s causing the Static, whoever that girl is who keeps haunting me - the answers are here, all of them Damien promised me he d be here when I woke up... What s happened to him? I hope WATIcorp didn t find the worm. FROM Voice mai FROM Voice mail SUBJECT Messag FROM MURAMURA//WORLDWIRE_PRE Russia? Okay. Damien...I hope you know what you re doing. SUBJECT disappearanc FROM ANON//BINGO!WIRE_EUROPOLIS Talk to Crow left for the South Gate Market to find Westhouse. I ll need to go there to meet them both. I told Crow I wanted to walk around a bit before we go look for this Westhouse guy. I ll need to return to him when I m ready. Where am I? What is this place? I must be dreaming. This can t be real. It just can t Great. Turns out Blind Bob doesn t know where Minstrum Magda is, so he told me to go see someone called Crazy Clara who lives up Crab Bend , wherever that may be That Theoretically Blind Bob guy wants some mulled wine, made with Mrs Mullins Mixed Spices. Apparently, only the best will do even when you re living on the streets. Just your basic console. Look at back There s an icon here that says hallway . Look at front There s a corridor back there. Examine closed There s no pad. The doors are probably controlled from the console. Try to open There s probably a storage room back there. Examine door closed The door s got an electronic lock. Examine door closed again The doors are jammed and the circuitry has been EMP ed. The pressure s been released. I should be able to open the doors now. The cover s loose. I should be able to open it. There s a handle with a label that says pressure release . It s glowing like a torch, but there s no fire or heat. On stick first I can hear ticking. I think there s some sort of clockwork mechanism inside. Maybe that s what s generating electricity. On stick second It s cold and smooth, like an egg. And it s ticking like clockwork. In inventory It looks like a machine with a big wheel and a socket on top. I wonder what it does...and if it still works. Without egg first It s definitely mechanical. And old. Who built these things? Without egg second That egg thing fit right into the socket. With egg
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【登録タグ A-One MONTAGE Blue R TOHO EUROBEAT VOL.7 人恋し神様 ～ Romantic Fall 御柱の墓場 ～ Grave of Being 曲 越田Rute隆人】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; 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visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/sorasol/pages/13.html
spam対策 いくらFollowerが多くても、それがspamやbotではあまり意味がありません。なので、spamやbotをblockしなければなりません。まず、どのような物がspamなのかを判断しましょう。例えば、botと呼ばれる自動でtweetをしているものや、自分と関連性がない英語account、自分のaccountの宣伝ばかりで交流を持とうとしないものなどを、一般的にspamと呼びます。 ■blockしたほうがいい例 (01)「大量のフォローしている ≒ 大量のフォローされている」→Follower数目当てのAccountです。 (02)「(上限の2,000に近い)大量のフォローしている ＞ フォローに比べてかなり少ない"フォローされている"」 →自分のAccountを宣伝するためのFollowです。あなたのAccountには興味がありません。 (03)「(上限の2,000に近い)大量のフォローしている ＞ フォローに比べて少ない"フォローされている"」＋ツイート数がほとんどない＋業者Account →自分のAccountを宣伝するためのFollowです。あなたが発信する情報には興味がありません。。 (04)自分と全く関わり合いのない英語Account。→ほぼ間違いなくSpamです。 (05)(05a) BOT。自動で宣伝Tweetをしているもの。blockしましょう。 (06) BOT。自動で宣伝Tweetをしているもの。中には日常風のTweetを挟んであたかも人がやっているようにみせるものもあります。blockしましょう。 (07) ＠で「フォローありがとう」とばかり発言しているもの。BOTです。blockしましょう。 Followに関して 何故Followしなければならないのか、何故Followerを増やさなければならないのかを説明していきます。 まず、どんなに素晴らしい情報をつぶやいても、読んで貰わなければ意味はありません。なので、読んで貰う為に人にアピールしなければなりません。そのアピールの手段として、この人なら私の発言に興味を持ってくれるのではないか、この人なら私にもっといい情報をくれるのではないかと、Followを送ってアピールする訳です。 次に、自分のつぶやきを相手のTLに流すには相手からFollowをして貰わなければなりません。相手からFollowをして貰えれば、それがあなたのFollowerになるわけです。なのでFollowerが多ければ多いほど、自分のつぶやきがたくさんの人に読まれているといえる訳です。 だれをFollowすべきか Followを送るといっても、spamじゃなければ誰でもいいという訳ではありません。何故なら、相手が自分のつぶやきに興味を持ってくれなければ、その文章は見られる事無くスルーされてしまいます。ですので、Followを送るなら、関心を持ってくれる相手に送らねばなりません。 では、どうやってその相手を探せばいいのかというと、まずは検索をかけましょう。 ・twitter検索 ・Twitterプロフィール検索 これらのリンクはtwitterでキーワード検索する際にとても便利です。 次に、検索するキーワードですが、以下に例を挙げたいと思います。 ■検索キーワード ・ソーシャルメディア ・Social Media ・USTREAM ・ユーストリーム ・Facebook ・フェイスブック ・インターネット・ガジェット ・4sq ・foursquare ・iphone ・Android ・アンドロイド ・スマートフォン ・クラウド ・IT企業 ・web ・SEM･SEO 等 以上のキーワードあくまで1例なので、他にもっといいキーワードがある場合などは、随時追加をお願いします。 最近のtwitterの流れ 最近はFollower数が少ないと、Followを送ってもなかなかFollowをして貰えない場合が多いです。なので、最初は検索をかける際に『相互フォロー』などの単語がある人をFollowしていくのがいいかもしれません。そして、Followerが増えてきて、発言が相手にとって有意義ならば、Followerは増えていくと思います。 最後に これは受け売りになりますが、今までFollowerを増やす事ばかり言ってきたと思います。ですが、どんなにFollowerが多くても、相手と交流が取れていなければ、それはtwitterの良さを引き出しているとはいえません。どんなに少人数であっても気軽に相手と交流が取れた方が、やっていても楽しめると思います。相手と気軽に交流ができ、情報交換が図れるtwitterをどんどん使っていきましょう！！ その他 ■Twitter便利ツールの紹介 http //www.justunfollow.com/ Followの片思いを解除するのに便利。ただし有料登録をしないと一度に大量のRemoveはできません。 http //manageflitter.com/ 同様にFollowの片思い解除に便利です。こちらは一定期間更新していないFollowerを見つけることも出来ます。 TOPに戻る